"Dangerous Crossing" (1953) - Joseph M. Newman
This time he is close to her, he speaks to her. She welcomes him without surprise. They are without memories, without plans. Time builds itself painlessly around them. Their only landmarks are the flavour of the moment they are living and the markings on the walls.
Emilio Pucci Spring 2015 by Lea Colombo
Elliott Erwitt (American, b. France, 1928)
Las Vegas, Nevada, USA, 1957
©Elliott Erwitt/Courtesy of Edwynn Houk Gallery
Debbie Harry, 1977. Photo by Bobby Grossman
harper’s bazaar, april 1999: shady pines, stella tennant photographed by mikael jansson, styled by tonne goodman
Like a scratched album stuck on repeat, Spring Breakers follows four college girls (Selena Gomez, Vanessa Hudgens, Rachel Korine, and Ashley Benson) who rob a diner a in order to fulfill their escapist fantasies of heading down to St. Petersburg, Florida for a debaucherous once-in-a-lifetime vacation. But when their beer-soaked and sexually charged trip goes sour, it’s rapper and drug and arms dealer Alien (Jams Franco) that comes to their rescue. And that’s when the nefarious story really kicks in as the world becomes much more rough and dark. With the tone of a haunted pop song, the film evokes something physical, leaving you in a trance that’s both erotic and dangerously chilling. It’s entertainment with a bullet, cinema with a bite of fantasy—it’s fizzing and bursting to the surface with color and entirely intoxicating.